Writing Coaching for Poets, Essayists, and Memoirists

Close Reading. Real Conversation. True Teaching.

Thoughtful, rigorous coaching from a poet and teacher who understands the writing process from the inside out. I help poets, essayists, and memoirists deepen and refine their work—from single pieces to full collections—so they can move forward with greater precision, confidence, momentum, and joy.

My Approach

Writers come to me with individual poems, short essays, memoir, chapbooks, and book-length collections. My approach is both kind and rigorous: I listen closely, read deeply, and offer feedback that honors what’s already working while challenging what isn’t. I especially love helping writers find the shape, strength, and voice of their work.

Whether you’re looking for structure and inspiration to generate new work, ready to deepen and refine what you’ve begun, or returning to writing after a long break—I’d love to work with you.

How It Works

1

Browse and book your session

Read through the packages and choose what fits. If you’re not sure, reach out via the contact form and we’ll figure it out together.

2

Complete the intake form

When you book, you’ll fill out a short form that includes a description of your project and a writing sample.

3

We meet and discuss your work

Sessions run 60 or 90 minutes on Google Meet. I’ll have read your work, you bring your thinking, and we’ll dive in together.

4

You leave with something concrete

A follow-up note with main insights and next steps lands in your inbox after every session.

Testimonials

Package Descriptions

The Coaching Hour

For conversation, process support, light feedback, encouragement, and direction.

A flexible session where we can talk about your poems, essays, or memoir, your writing process, and next steps. This is the right fit if you want to think through your work with a trusted reader, but don’t need extensive close reading in advance.

  • You send a poem or 1-2 pages of prose in advance — this is what we’ll use as our starting point, though the conversation can range wherever it needs to go.
  • Space for craft questions, process, encouragement, and direction around your next steps.
  • Follow-up note summarizing main insights and next steps.

Price: €120 for 60 minutes / €180 for a 90-minute extended session

The Bird’s-Eye Session

Big-picture perspective on a small batch of work.

In this 60-minute session, I read a small group of poems or a short essay in advance and offer a big-picture view of what’s happening in the work: where the energy is, where things feel unclear, and direction for how the piece wants to develop.

  • I read in advance at an overview level, looking for patterns, themes, and structure.
  • You send up to 3 poems or 3–5 single-spaced pages of prose.
  • 60-minute session to talk through what I’m seeing, what feels alive, and where you might go next.
  • Follow-up note summarizing main insights and next steps.

Price: €180 for 60 minutes / €240 for a 90 minute extended session

The Deep Dive: A Close-Reading Session

Deep, line-level and structural attention on a small amount of work.

This is where I read closely with a fine eye to detail, attending to language, sound, shape, and movement. It’s best for a short group of poems or a single short essay you’re ready to revise in depth.

  • Close reading in advance with attention to line, image, sound, and structure.
  • You send 3–5 poems (up to about five single-spaced pages total) or 4–5 single-spaced pages of prose.
  • Feedback and discussion on what’s working, where the piece is getting in its own way, and concrete ideas for revision.
  • Follow-up note summarizing main insights and next steps.

Price: €225 for 60 minutes / €300 for for a 90 minute extended session

Four-Week Close-Reading Series

Close reading, cumulative attention, and a month of not working alone.

This series is for writers who want more than a single session can offer. Over four weeks, I read your work closely in advance each week and we build on each week’s revelations—about your language, your recurring patterns, and where your work most wants to grow. The conversation deepens as the weeks go on in a way a standalone session simply can’t replicate.

  • Four 60-minute sessions, one per week.
  • Each week you send 3–5 poems or 4–5 single-spaced pages for close reading in advance.
  • Ongoing attention to language, structure, sound, and emerging themes.
  • Follow-up note after each session summarizing key insights and next steps.
  • Price: €900

Chapbook and Book-Length Mentorships (by quote)

Deep attention on a full manuscript—from individual pieces to their arrangement into a meaningful, coherent, powerful whole. This is a specialty of mine—one I know from the inside, having shaped my own full-length collection, The Unbinding, into a non-chronological yet perfectly arranged whole.

For chapbooks and book-length work in poetry, memoir, and short creative nonfiction, pricing depends on length and the depth of work we plan together:

  • Staged reading of the manuscript (for example, first half, then full draft).
  • Multiple sessions to discuss individual pieces and the overall arc of the collection.
  • An editorial-style letter and/or marginal comments at agreed-upon points.  

Overview-level evaluations generally start in the mid-hundreds. Close-reading mentorships for chapbook-length manuscripts typically start around €2,000; book-length mentorships typically start around €3,000–€4,000, depending on length and the depth of work we plan together. Share a sample and a brief description of your project, and I’ll suggest options and a tailored fee. Payment plans are available.

About Me

Most writing coaches are strong readers. What’s less common is someone who understands not just what good writing is, but how writers actually learn and grow.

Unlike most university professors—trained as scholars, not teachers—I hold a master’s in education from Northwestern University, have trained future writing teachers, and bring 26 years of teaching experience to this work. I’ve thought deeply about the art and science of writing and of teaching it, which means I understand the writing process from the inside out.

I’ve loved to write since I was a girl, but I started writing seriously with my high school students when I was asking them to write poems; it didn’t feel fair to ask them to do something I wasn’t sure I could do myself. Within three years my poems were being accepted for publication; within ten I was a university professor, and just a year later, I was training future writing teachers.

My own work keeps me anchored in what it feels like to be a writer: a full-length book of poems, The Unbinding, poems in journals and exhibitions, and an essay published in French. I know what it means to be vulnerable on the page, the frustration of a draft that I can’t get right, and the particular satisfaction—the joy—of finding a poem’s true shape and exact language.